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	<title>Screen Savers Movies &#187; The Man Who Laughs</title>
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	<description>40 Remarkable Movies Awaiting Rediscovery</description>
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		<title>The Man Who Laughs (1928)</title>
		<link>http://screensaversmovies.com/the-man-who-laughs-1928</link>
		<comments>http://screensaversmovies.com/the-man-who-laughs-1928#comments</comments>
		<pubDate>Tue, 26 Aug 2008 04:01:53 +0000</pubDate>
		<dc:creator>Jennifer Kurdyla, Editor</dc:creator>
				<category><![CDATA[Fantasy and Horror]]></category>
		<category><![CDATA[Screen Savers]]></category>
		<category><![CDATA[The Man Who Laughs]]></category>
		<category><![CDATA[Conrad Veidt]]></category>
		<category><![CDATA[Mary Philbin]]></category>

		<guid isPermaLink="false">http://screensaversmovies.com/?p=188</guid>
		<description><![CDATA[Not many would dispute that Hollywood horror movies had their heyday at Universal in the 1930s, the location and period that produced, among others, Dracula (1931), Frankenstein (1931), The Mummy (1932), and The Invisible Man (1933). But Universal’s prowess in the genre had already been well established before the sound era immortalized Bela Lugosi’s accent [...]]]></description>
			<content:encoded><![CDATA[<p>Not many would dispute that Hollywood horror movies had their heyday at Universal in the 1930s, the location and period that produced, among others, <em>Dracula</em> (1931), <em>Frankenstein</em> (1931), <em>The Mummy</em> (1932), and <em>The Invisible Man</em> (1933). But Universal’s prowess in the genre had already been well established before the sound era immortalized Bela Lugosi’s accent and Boris Karloff’s grunts. The studio had made <em>The Hunchback of Notre Dame</em> (1923) and <em>The Phantom of the Opera </em>(1925), the two films for which the incredible Lon Chaney is most revered. Universal produced another horror milestone in the silent era, after Chaney had moved over to MGM. <em>The Man Who Laughs</em> is not nearly as well known as the two Chaney classics, nor was it famously remade, but it’s the most terrifying of the three, all of which found horror in the human rather than the supernatural. Since it was made during Hollywood’s transition to sound, <em>The Man Who Laughs</em> is one of those silents with a soundtrack of music and aural effects but no spoken dialogue. Because it marked silent film’s last hurrah, some would argue that 1928—move over, 1939—was Hollywood’s greatest year. That year’s roster, boasting <em>The Crowd, Street Angel</em>, <em>The Wind, A Woman of Affairs</em>, <em>The Circus</em>, <em>Show People</em>, and <em>The Last Command</em>, proved that visual storytelling had reached an apex of sophistication and mobility. A year later, cameras would be playing second-fiddle to microphones, resulting in a blessedly short-lived era of hopelessly stagnant movies. <em>The Man Who Laughs</em> is one of 1928’s best films, a macabre marvel whose biggest claim to fame is that it was <em>Batman</em> creator Bob Kane’s acknowledged inspiration for the look of the Joker, Batman’s flamboyant nemesis.</p>
<p style="text-align: right;">excerpted from John DiLeo’s<br />
<em> Screen Savers: 40 Remarkable Movies Awaiting Rediscovery</em><br />
© 2008 Hansen Publishing Group. All Rights Reserved</p>
<p><img src="http://screensaversmovies.com/wp-content/plugins/flash-video-player/default_video_player.gif" /></p>
<p>Learn more about <a href="http://screensaversmovies.com/the-man-who-laughs-1928-move-over-lon-chaney">The Man Who Laughs</a></p>
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		<title>The Man Who Laughs (1928):  Move Over, Lon Chaney</title>
		<link>http://screensaversmovies.com/the-man-who-laughs-1928-move-over-lon-chaney</link>
		<comments>http://screensaversmovies.com/the-man-who-laughs-1928-move-over-lon-chaney#comments</comments>
		<pubDate>Thu, 20 Mar 2008 01:15:22 +0000</pubDate>
		<dc:creator>John DiLeo</dc:creator>
				<category><![CDATA[The Man Who Laughs]]></category>

		<guid isPermaLink="false">http://screensaversmovies.com/the-man-who-laughs-1928-move-over-lon-chaney/</guid>
		<description><![CDATA[Not many would dispute that Hollywood horror movies had their heyday at Universal in the 1930s, the location and period that produced, among others, Dracula (1931), Frankenstein (1931), The Mummy (1932), and The Invisible Man (1933). But Universal’s prowess in the genre had already been well established before the sound era immortalized Bela Lugosi’s accent [...]]]></description>
			<content:encoded><![CDATA[<p>Not many would dispute that Hollywood horror movies had their heyday at Universal in the 1930s, the location and period that produced, among others, <em>Dracula</em> (1931), <em>Frankenstein</em> (1931), <em>The Mummy</em> (1932), and <em>The Invisible Man</em> (1933). But Universal’s prowess in the genre had already been well established before the sound era immortalized Bela Lugosi’s accent and Boris Karloff’s grunts. The studio had made <em>The Hunchback of Notre Dame</em> (1923) and <em>The Phantom of the Opera </em>(1925), the two films for which the incredible Lon Chaney is most revered. Universal produced another horror milestone in the silent era, after Chaney had moved over to MGM. <em>The Man Who Laughs</em> is not nearly as well known as the two Chaney classics, nor was it famously remade, but it’s the most terrifying of the three, all of which found horror in the human rather than the supernatural. Since it was made during Hollywood’s transition to sound, <em>The Man Who Laughs</em> is one of those silents with a soundtrack of music and aural effects but no spoken dialogue. Because it marked silent film’s last hurrah, some would argue that 1928—move over, 1939—was Hollywood’s greatest year. That year’s roster, boasting <em>The Crowd, Street Angel</em>, <em>The Wind, A Woman of Affairs</em>, <em>The Circus</em>, <em>Show People</em>, and <em>The Last Command</em>, proved that visual storytelling had reached an apex of sophistication and mobility. A year later, cameras would be playing second-fiddle to microphones, resulting in a blessedly short-lived era of hopelessly stagnant movies. <em>The Man Who Laughs</em> is one of 1928’s best films, a macabre marvel whose biggest claim to fame is that it was <em>Batman</em> creator Bob Kane’s acknowledged inspiration for the look of the Joker, Batman’s flamboyant nemesis.</p>
<p align="right">excerpted from John DiLeo&#8217;s<br />
<em> Screen Savers: 40 Remarkable Movies Awaiting Rediscovery</em><br />
© 2008 Hansen Publishing Group. All Rights Reserved.</p>
]]></content:encoded>
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