As the war continued, screen content was increasingly informed by it. Preston Sturges, forgoing the glamorous trappings of the rich and would-be rich, brought his screwball sensibility to small-town America and made two farces that dealt directly with the homefront. The Miracle of Morgan’s Creek (1944) is about a young woman (Betty Hutton) who goes [...]

[Read more →]

Pat and Mike has an unusually modern premise for a 1950s romantic comedy, examining the psychological barriers that prevent people from achieving their goals. (Adam’s Rib, better known than Pat and Mike, covers more conventional turf: it’s a classic battle-of-the-sexes comedy.) Pat and Mike is every bit as good-spirited and timeless as Woman of the [...]

[Read more →]

One kind of 1930s comedy didn’t last very long or become a source of ongoing imitation. I’ll call it the comedy of merry insanity, which is different from the screwball comedies that dominated the second half of the decade and the first half of the 1940s. However nutty, screwball comedies revolve around reasonably recognizable issues [...]

[Read more →]

Deanna Durbin had matured from teenage roles in, among others, the 1936 Three Smart Girls and its 1939 sequel, when director Henry Koster and producer Joe Pasternak asked her to star in It Started with Eve. The movie’s three songs may not qualify it as a musical, but the antics of Durbin and co-star [...]

[Read more →]

Lady for a Day is based on Damon Runyon’s short story Madame La Gimp. Capra and Runyon are an ideal match, with their knack for balancing sentiment with humor and in their affection for underdogs. Runyon’s surefire tale is prime fodder for Capra, and the meeting of material and director produces a disarming work full [...]

[Read more →]