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	<title>Screen Savers Movies &#187; The Half Naked Truth</title>
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	<description>40 Remarkable Movies Awaiting Rediscovery</description>
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		<title>The Half Naked Truth (1932)</title>
		<link>http://screensaversmovies.com/the-half-naked-truth-1932</link>
		<comments>http://screensaversmovies.com/the-half-naked-truth-1932#comments</comments>
		<pubDate>Tue, 19 Aug 2008 04:01:32 +0000</pubDate>
		<dc:creator>Jon Hansen, Publisher</dc:creator>
				<category><![CDATA[Screen Savers]]></category>
		<category><![CDATA[The Half Naked Truth]]></category>
		<category><![CDATA[Vintage Comedies]]></category>
		<category><![CDATA[Lee Tracy]]></category>
		<category><![CDATA[Lupe Velez]]></category>

		<guid isPermaLink="false">http://screensaversmovies.com/?p=176</guid>
		<description><![CDATA[One kind of 1930s comedy didn’t last very long or become a source of ongoing imitation. I’ll call it the comedy of merry insanity, which is different from the screwball comedies that dominated the second half of the decade and the first half of the 1940s. However nutty, screwball comedies revolve around reasonably recognizable issues [...]]]></description>
			<content:encoded><![CDATA[<p>One kind of 1930s comedy didn’t last very long or become a source of ongoing imitation. I’ll call it the comedy of merry insanity, which is different from the screwball comedies that dominated the second half of the decade and the first half of the 1940s. However nutty, screwball comedies revolve around reasonably recognizable issues of love, class, and bank accounts, while the merry-insanity comedies are far more anarchic, audacious, and eccentric, refusing to allow “real life” to rein them in. The two best, and most famous, of these would be <em>Million Dollar Legs</em> (1932) and <em>Duck Soup</em> (1933). Bordering on the surreal, each is set in a fictional country: the first in Klopstokia; the second in Freedonia. <em>Million Dollar Legs</em>, which revolves around the Olympics and features W.C. Fields and Jack Oakie, and <em>Duck Soup</em>, with all four Marx Brothers immersed in politics and war, are among the funniest movies ever made, partly because of their unwillingness to contain themselves. (The earliest Marx Brothers films, The <em>Cocoanuts</em> [1929] and <em>Animal Crackers</em> [1930], belong, instead, with the aforementioned stagebound adaptations.) <em>The Half Naked Truth</em> isn’t as well known as these two classics, and it isn’t set in a mythical land, but it does share their wackiness, nose-thumbing, and anything-goes surprises: it’s adorable and ruthless. It’s a comedy that can accommodate, among its pleasures, a hotel-room lion, a mock nudist colony, and a sham princess (complete with eunuch). It has the unbound visual freedom of a silent comedy, combined with the verbal dexterity and quickness of the new era, depending equally on these traits to get its laughs. And it really builds, consistently accelerating its zaniness and risk-taking, swooping the viewer along on its brassy, outrageous ride.</p>
<p align="right">excerpted from John DiLeo’s<br />
<em> Screen Savers: 40 Remarkable Movies Awaiting Rediscovery</em><br />
© 2008 Hansen Publishing Group. All Rights Reserved.</p>
<p><img src="http://screensaversmovies.com/wp-content/plugins/flash-video-player/default_video_player.gif" /></p>
<p>Learn more about <a href="http://screensaversmovies.com/the-half-naked-truth-1932-lee-tracy-and-the-fast-talking-talkie">The Half Naked Truth</a></p>
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		<title>The Half Naked Truth (1932): Lee Tracy and the Fast-Talking Talkie</title>
		<link>http://screensaversmovies.com/the-half-naked-truth-1932-lee-tracy-and-the-fast-talking-talkie</link>
		<comments>http://screensaversmovies.com/the-half-naked-truth-1932-lee-tracy-and-the-fast-talking-talkie#comments</comments>
		<pubDate>Tue, 25 Mar 2008 01:59:19 +0000</pubDate>
		<dc:creator>John DiLeo</dc:creator>
				<category><![CDATA[The Half Naked Truth]]></category>

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		<description><![CDATA[One kind of 1930s comedy didn’t last very long or become a source of ongoing imitation. I’ll call it the comedy of merry insanity, which is different from the screwball comedies that dominated the second half of the decade and the first half of the 1940s. However nutty, screwball comedies revolve around reasonably recognizable issues [...]]]></description>
			<content:encoded><![CDATA[<p>One kind of 1930s comedy didn’t last very long or become a source of ongoing imitation. I’ll call it the comedy of merry insanity, which is different from the screwball comedies that dominated the second half of the decade and the first half of the 1940s. However nutty, screwball comedies revolve around reasonably recognizable issues of love, class, and bank accounts, while the merry-insanity comedies are far more anarchic, audacious, and eccentric, refusing to allow “real life” to rein them in. The two best, and most famous, of these would be <em>Million Dollar Legs</em> (1932) and <em>Duck Soup</em> (1933). Bordering on the surreal, each is set in a fictional country: the first in Klopstokia; the second in Freedonia. <em>Million Dollar Legs</em>, which revolves around the Olympics and features W.C. Fields and Jack Oakie, and <em>Duck Soup</em>, with all four Marx Brothers immersed in politics and war, are among the funniest movies ever made, partly because of their unwillingness to contain themselves. (The earliest Marx Brothers films, The <em>Cocoanuts</em> [1929] and <em>Animal Crackers</em> [1930], belong, instead, with the aforementioned stagebound adaptations.) <em>The Half Naked Truth</em> isn’t as well known as these two classics, and it isn’t set in a mythical land, but it does share their wackiness, nose-thumbing, and anything-goes surprises: it’s adorable and ruthless. It’s a comedy that can accommodate, among its pleasures, a hotel-room lion, a mock nudist colony, and a sham princess (complete with eunuch). It has the unbound visual freedom of a silent comedy, combined with the verbal dexterity and quickness of the new era, depending equally on these traits to get its laughs. And it really builds, consistently accelerating its zaniness and risk-taking, swooping the viewer along on its brassy, outrageous ride.</p>
<p align="right">excerpted from John DiLeo&#8217;s<br />
<em> Screen Savers: 40 Remarkable Movies Awaiting Rediscovery</em><br />
© 2008 Hansen Publishing Group. All Rights Reserved.</p>
]]></content:encoded>
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